Taught by

The relationship between nature and history is complex, so much so that the space between nature and the human, being and language, may not even be measurable. Yet the environmental imperatives of our moment—including the need to cultivate a tolerance if not an appreciation for complexity itself—are the decisive ones. In this program, we will think through questions of environmental consciousness and its discontents from the points of view of political ecology, gastropoetics, eco-poetics, and eco-music. How does immersion in complex music prepare us to recognize the complexities of an ecosystem? Does the deliciousness of a fine organic, single origin chocolate correspond to the tropical ecosystem of the country of origin, the evolutionary development of mammalian taste receptors, or the cultivated aesthetic of the chocolatier? Is the poem mimetic of nature, or a function of it? How could such a seemingly noble enterprise as 'environmentalism' or 'protecting nature' be problematic? How have powerful environmental imaginaries and narratives served to dangerously simplify how environmental problems and their solutions are conceptualized? Ours will be a multifaculty, multidisciplinary approach to interdisciplinary community-based learning. While activities will include shared lectures and readings, half of program work will take place in faculty-specific tracks.

Eco-music with Andrea Gullickson will examine the intricate patterns that make up music, with consideration of how deepening our understanding of the interconnectedness of these patterns might impact the ways we think about and interact with the environment in which we live.  Works studied may include those by John Luther Adams, Daved Rothenberg, Olivier, Messiaen, Henryk  Górecki, and Toro Takemitsu.

Quarters

Fall Open Winter Open

Location and Schedule

Final Schedule and Room Assignment

• Fall

Campus Location

Olympia

Time Offered

Day